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When it was my workhorse guitar it got some abuse and it emerged with very little to show for it. Well, it was the only guitar I at at the time and I just loved playing it. He couldn’t believe that I had rehearsed and gigged it for years.
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On the subject of weight, I was proudly showing it to a friend recently who remarked on how heavy it was. On the other hand it is seriously heavy, so it could well that the slabs are entirely hard rock maple of varying shades. I am not so sure – to me it looks like there is some mahogany involved because there are woods of different shades laminated in the construction and some thin slices of walnut or something similar between the large slabs. According to the advert the body/neck is made entirely of hard rock maple. The Custom 24 has an comfortable ebony fretboard on a 24 3/4″ neck. The guitars were well-received by the press but didn’t sell as many as they should have because their release coincided with the boom of electronic music and the commonly held misconception at the time that ‘rock was dead’. It has a through neck construction, which, allied with a brass nut, provides long sustain. Of the four tenor guitars, the Custom 24 is the top of the range. The Custom 24 is part of a set of six guitars that Vox brought out that year which were in the catalogue until 1985: four electric tenor guitars and two basses. It was a Vox, but where was it made, what was it made of, who designed it? A partial answer was supplied by a friend of a friend who had an original Bell catalogue advert for the 1982 Vox production series.Īlthough it does contain an error regarding the electronics of the Custom 24, the advert filled in a lot of the gaps. I knew next to nothing about this guitar for the first decade I had it. When I was lucky enough recently to spend some time learning with Crimson Guitars, I based my new build on the shape of the Custom 24. The new instrument I found in a guitar shop in Brixton, London was a Vox Custom 24.
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Of course, I’ve regretted their loss but the theft of the guitar and the fact that I was insured allowed me to seek out a replacement. In 1992 the flat on the North Peckham Estate I was living in was burgled and my Westone Thunder Jet was stolen along with a Session 90 amplifier.